missile command eu tour recap

Chad and the mysterious Guy-Manuel of Daft Punk at Favela Chic in Paris.

Missile Command with Dave of De La Soul.

Chad and De La’s Pos.

Outside of Lux in Lisbon.

Chad and Cyril alongside Buraka Som Sistema at Lux.

Statues of dudes at the Cumberland Hotel in London.

People in line, presumably very excited to see us play at Chinawhite in London.

Back in Paris with Talib Kweli at Le Sens.

The far-reaching cultural significance of Samwell.


In the studio with Marco Prince.

Cyril prepares to get inked by Laura Satana.
los angeles

At Wildcard Boxing Club with Freddie Roach

Korean barbecue with Tristan at Soowon Galbi.

In da stu with Kid Sister.

MSSL CMMND at Supperclub Los Angeles with DJ Adam12 (She Wants Revenge).

Grammy nominee Skylar Grey performs with Adam.

Supperclub goes off! And a trapeze artist descends from the ceiling.

Chad twists the knobs. And apparently I decided to roll my sleeves up. Kid Sis also performed “Luuk Out Gurl” with us live!
Friday February 10 at Supperclub Los Angeles, with Grammy nominee Skylar Grey and Adam12.


Daniel Biltmore MSSL CMMND remix of the amazing “Hello My Old Heart” by The Oh Hello’s, a brother & sister duo from Texas. To check out the original and check out more tunes by the band, head over to TheOhHellos.com.
Had to throw in one more of DJWS + Chad because this one was too awesome.
MANY STYLES, MANY STYLES
Infinite shouts go to Complex magazine for putting my Missile Command compadre Chad Hugo in their “10 Most Stylish Hip-Hop Producers Right Now“ list. Rounding out the countdown are not only the usual suspects (Pharrell, Kanye, etc.), but also some surprises with Diplo and Chad’s Virginia neighbor, Lex Lugor, also making the cut. Still not sure why I’m not on the list, but I’ll just have to assume my inclusion was implied.
THE NAME CHANGE GETS COVERAGE ON THE NEPTUNES.ORG
The solid dudes over at TheNeptunes.org were kind enough to help spread the news of my name change from “Hip Hop Dan” to “Daniel Biltmore.” If you’ve never had a chance to check the site out, it’s a great resource to find out everything going on in the Neptunes/Star Trak universe. There’s also this relatively unknown guy who goes by “Tyler, The Creator” who got his start as a forum member on the site…
Missile Command logo drafts by Jason Rodman of Noah Larmz.
Thoughts/feedback/etc??
In Toronto at Cheval helping kick off the Toronto International Film Festival.
love from la weekly
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Thanks to Roselle Chen from LA Weekly for the awesome writeup!
“Chad Hugo, better known as one half of The Neptunes, came on a little past 3 p.m. on the indoor stage. A crowd had barely amassed at this point, with some filtering in from Riot Gear’s set outside.
Hugo opened with Chris Brown’s “Look at Me Now,” while gesturing for the sound levels to be turned up — way up. A couple of people gathered around and bobbed their heads to the beat while Hugo inflected a drum and bass beat to Busta Rhymes’s part: ” You ain’t never gonna stop me/ Every time I come a nigga gotta set it / Then I gotta go, and then I gotta get it.” With his right arm propped on the corner of the DJ table, Hugo said, “Mr. Soundman, Mr. Soundman can we get some volume?” Then: “Make some noise if you want to be outside!” A few people cheered. “It’s all good, we’re here to have a good time,” he said. Interspersing hard house, electro, reggaeton, commercial hip hop and pop, he played songs like Lumidee’s “Never Leave You,” Clipse’s “When the Last Time,” and Gwen Stefani’s “Hollaback Girl.” The set felt like a throwback to the early 2000s, with new beats mixed in. As more folks filtered in, they came alive to N.E.R.D.’s “Everyone Nose.” Girls twirled with boys to the lyrics: “All the girls standing in the line for the bathroom.” People in shades danced with big smiles on their faces, and guys, not girls, shook their butts to “A hundred dollar bills look - Achoo! Achoo!” Groups swung towels around their heads as Hugo spun more electro/house/reggae into Baltimore Club Music’s “Tear the Fuckin’ Club Up,” Lil Jon & Eastside Boyz’s “Chris Rock In The Club,” and even Violent Femmes’ “Blister in the Sun.” A loose break dance circle formed as Chris Rock said “We never leave the muthafuckin’ club!…We go to church in da club!” The peak was Lil Wayne’s “A Milli,” with skinny guys in shorts doing lazy windmills, resting for a couple of seconds on the floor before getting back up to dance.”






